The Sociology of Science Fiction: Project Hail Mary, Star Trek, and the Broken Earth Trilogy

By Rob Eschmann

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Author Andy Weir, best known for his books The Martian and Project Hail Mary, both of which were turned into successful science fiction films starring Matt Damon and Ryan Gosling, has recently been enmeshed in controversy surrounding his anti-woke comments and insistence that politics has no place in fiction.

Though they’re just coming to light, due to the recent release of the blockbuster Project Hail Mary film, he’s held these views for some time. In a 2017 interview, Weir said:

When I’m reading a book, I just want to be entertained, not preached at by the author… I deeply dislike social commentary. For instance, as a lifelong Star Trek fan, it’s always bothered me that there is a presumed “responsibility” within Star Trek shows to talk about social issues. I just want to watch Romulans and the Federation shoot at each other.

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In Praise of Pedro-Mania: How Pedro Pascal Helped Me Rediscover My Superpowers and My Dad

By Stacy Torres

author Stacy Torres

During the past year-plus of wars, U.S. National Guard deployments, ICE detentions and killings, strikes on Venezuela—I’m just waiting for frogs to rain down—I’ve found my blissful reprieve in Pedro-mania. I’m talking about the meteoric rise of actor Pedro Pascal, whom I’ve finally discovered and who’s helping me tap into my own hidden superpowers for survival.

And while his new Star Wars movie has racked up lukewarm reviews and disappointing box office sales so far, Pascal’s always-charming media blitz has served as the perfect antidote to our current onslaught of bad news—and just in time before all the good talk show hosts are fired for making us laugh.

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When Science Fiction Becomes Real: Walter Mosley’s Futureland and The AI Doc

author photo Rob Eschmann

By Rob Eschmann

The news cycle in 2026 feels straight out of a dystopian science fiction film.

New AI models are so good at hacking companies hesitate to release them to the public, and the construction of new data centers force people off their land, pollute the environment, and take up natural resources as citizen water sources run dry.

We are witnessing the rapid expansion of an AI-enabled surveillance state, and even have less tech-forward trends that reek of Orwell’s 1984, like widespread book banning and masked men arresting people and sending them to overseas prisons without due process.

Given these disturbing trends, how do we ensure we don’t end up living in a post-apocalyptic film?

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When AI isn’t so I: Health Data Reliability and Validity

By Karen Sternheimer

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As a social scientist, I like data. If you can quantify something, I’m interested. Data is the foundation of sociology: we are not making casual observations and calling it science; we empirically gather data and look for patterns.

You might have learned about the concepts of validity and reliability in a research methods class. Validity requires that something actually measures what we say it measures. For instance, it’s clear that stepping on a scale is not a valid measure intelligence. Reliability requires that our measure is consistent. Using the scale analogy, it should give us the same result if we step on it a few minutes later. If not, the scale is off.

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No Such Thing as “Apolitical” Art: Project Hail Mary and the Voting Rights Act

By Rob Eschmann

author photo Rob Eschmann

Spoiler alertThis post includes plot details about Project Hail Mary

Project Hail Mary, the 2026 science fiction film which garnered a 94% critics rating on Rotten Tomatoes and has made over $670 million in the two months since being released, is one of the most well-received blockbusters in recent years. Ryan Gosling’s quirky performance as high school science teacher- turned astronaut Ryland Grace balances hilarity with moments of deep reflection on the fragile human condition. Grace’s space friend “Rocky,” a spider-like alien, is as charming as the beloved droids and tiny aliens in the Star Wars franchise. The film is stunning, with directors Phil Lord and Christopher Miller using practical effects to create mind-blowing visuals and otherworldly scenes of alien planets, calling to mind shots from Christopher Nolan’s 2014 classic film Interstellar.

In the midst of its success and near-universal acclaim, Project Hail Mary is being championed by anti-woke, anti-DEI fans and critics.

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When Is Emotion “Real”? AI, Condolences, and the Social Rules of Caring

By Monica Radu

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Imagine someone losing a loved one and you send them a message generated by AI. Even if the words are thoughtful and appropriate, something about it might feel… off. Maybe even a little cold. I think we would tend to read that act as impersonal, as if the emotion doesn’t fully “count.”

But many of us routinely send sympathy cards, often prewritten, mass-produced messages crafted by strangers. We buy them, sign our names, and send them as gestures of care. Socially, that feels completely acceptable. In fact, the greeting card industry is enormous. Americans purchase billions of greeting cards each year, and companies like Hallmark and American Greetings have built entire industries around helping people communicate emotions ranging from love and celebration to sympathy and grief.

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Be Selfish: Volunteer

By Karen Sternheimer

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We all know that volunteering is good for the group or organization we are helping. They get our free labor, leaving more specialized tasks for paid employees.

But what if you could gain more from volunteering than you give? Would that make you more likely to share your limited amount of free time?

As a perpetually busy person, I have often shied away from volunteering my time. This year I have volunteered to be on two non-work-related committees and for a trail race organization. It helps to share your time for a cause or activity that you care about. I remember decades ago, my grandfather, an avid golfer, volunteered to be an usher at a PGA tournament in his area. He talked about meeting the pro-golfers at the tournament for years after. He saw a few hours of his time as a very small price to pay for an opportunity to be in the same place as famous golfers.

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Skating Past Midlife Career Failure: Taking Inspiration from Figure Skaters

author Stacy Torres

By Stacy Torres

As a sociology professor without an athletic bone in my body, I’d hardly compare myself to an Olympian, but recent professional hurdles have reminded me how much academics share with competitive athletes in our big-risk, big-reward striving.

Facing the prospect of my own epic failure to secure a spot on the podium in my career—achieving tenure—long after the winter games have concluded, I’m still drawing inspiration from the examples of two American figure skaters, Alysa Liu and Ilia Malinin, with wildly divergent medal outcomes.

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Social Comparison: It’s Not Just on Instagram

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By Karen Sternheimer

There is no shortage of hand-wringing about social media sites like Instagram enabling people to compare themselves with others, presumably leading to outcomes like depression and other mental health challenges.

But social media did not start social comparison—it is woven into the fabric of many of our social institutions. As it is relatively new, social media gets the lion’s share of attention, focusing on how it operates and its constant accessibility. The algorithms, the devices, the newness drives attention and criticism.

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Driving While Human

By Karen Sternheimer

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When driving, we interact with other drivers in ways that are often distinct from our other interactions with strangers in public. For one, our language is more limited and less nuanced than in other interactions. We might use hand gestures (friendly and rude), flashing lights, or in extreme cases, aggressive maneuvers like tailgating, weaving, or slowing down to irritate the driver behind us. Whether we are aware or not, we are in constant communication.

Sociologists consider how our interactions produce meaning during social encounters. We often come to an agreement on these meanings, as our definition of the situation is rooted in social and cultural contexts. Driving necessitates social agreements—some mandated by law, others by custom. We need to agree what side of the road to drive on, when to proceed through an intersection, and how fast to drive. We need to communicate through our cars, which come equipped with turn signals, hazard lights, and horns. Newer vehicles tell us when a car is in our blind spots, when it is unsafe to change lanes, or show us what is behind us.

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