The Paper: Journalism and the Future

By Karen Sternheimer

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Back in 2008, I wrote a post called “A Modest Proposal to Save Journalism.” Almost two decades later, it has never been more critical to have an independent “fourth estate” but it probably won’t return in its previous form, due to political and economic pressures.

Case in point: the “Thursday night massacre” on June 4, 2026, at CBS’s 60 Minutes, where the executive producer and several correspondents were fired despite solid ratings. This was a sad moment in the storied program’s more than 50-year history. (See Scott Pelley’s powerful interview about being fired after 37 years with CBS News.) When the premier news program within what was once known as the “Tiffany network” was dismantled, it sent a message to all journalists that hard-hitting journalism could be censored if it offends those in power.

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In Praise of Pedro-Mania: How Pedro Pascal Helped Me Rediscover My Superpowers and My Dad

By Stacy Torres

author Stacy Torres

During the past year-plus of wars, U.S. National Guard deployments, ICE detentions and killings, strikes on Venezuela—I’m just waiting for frogs to rain down—I’ve found my blissful reprieve in Pedro-mania. I’m talking about the meteoric rise of actor Pedro Pascal, whom I’ve finally discovered and who’s helping me tap into my own hidden superpowers for survival.

And while his new Star Wars movie has racked up lukewarm reviews and disappointing box office sales so far, Pascal’s always-charming media blitz has served as the perfect antidote to our current onslaught of bad news—and just in time before all the good talk show hosts are fired for making us laugh.

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When Science Fiction Becomes Real: Walter Mosley’s Futureland and The AI Doc

author photo Rob Eschmann

By Rob Eschmann

The news cycle in 2026 feels straight out of a dystopian science fiction film.

New AI models are so good at hacking companies hesitate to release them to the public, and the construction of new data centers force people off their land, pollute the environment, and take up natural resources as citizen water sources run dry.

We are witnessing the rapid expansion of an AI-enabled surveillance state, and even have less tech-forward trends that reek of Orwell’s 1984, like widespread book banning and masked men arresting people and sending them to overseas prisons without due process.

Given these disturbing trends, how do we ensure we don’t end up living in a post-apocalyptic film?

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No Such Thing as “Apolitical” Art: Project Hail Mary and the Voting Rights Act

By Rob Eschmann

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Spoiler alertThis post includes plot details about Project Hail Mary

Project Hail Mary, the 2026 science fiction film which garnered a 94% critics rating on Rotten Tomatoes and has made over $670 million in the two months since being released, is one of the most well-received blockbusters in recent years. Ryan Gosling’s quirky performance as high school science teacher- turned astronaut Ryland Grace balances hilarity with moments of deep reflection on the fragile human condition. Grace’s space friend “Rocky,” a spider-like alien, is as charming as the beloved droids and tiny aliens in the Star Wars franchise. The film is stunning, with directors Phil Lord and Christopher Miller using practical effects to create mind-blowing visuals and otherworldly scenes of alien planets, calling to mind shots from Christopher Nolan’s 2014 classic film Interstellar.

In the midst of its success and near-universal acclaim, Project Hail Mary is being championed by anti-woke, anti-DEI fans and critics.

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When Is Emotion “Real”? AI, Condolences, and the Social Rules of Caring

By Monica Radu

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Imagine someone losing a loved one and you send them a message generated by AI. Even if the words are thoughtful and appropriate, something about it might feel… off. Maybe even a little cold. I think we would tend to read that act as impersonal, as if the emotion doesn’t fully “count.”

But many of us routinely send sympathy cards, often prewritten, mass-produced messages crafted by strangers. We buy them, sign our names, and send them as gestures of care. Socially, that feels completely acceptable. In fact, the greeting card industry is enormous. Americans purchase billions of greeting cards each year, and companies like Hallmark and American Greetings have built entire industries around helping people communicate emotions ranging from love and celebration to sympathy and grief.

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Social Comparison: It’s Not Just on Instagram

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By Karen Sternheimer

There is no shortage of hand-wringing about social media sites like Instagram enabling people to compare themselves with others, presumably leading to outcomes like depression and other mental health challenges.

But social media did not start social comparison—it is woven into the fabric of many of our social institutions. As it is relatively new, social media gets the lion’s share of attention, focusing on how it operates and its constant accessibility. The algorithms, the devices, the newness drives attention and criticism.

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Driving While Human

By Karen Sternheimer

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When driving, we interact with other drivers in ways that are often distinct from our other interactions with strangers in public. For one, our language is more limited and less nuanced than in other interactions. We might use hand gestures (friendly and rude), flashing lights, or in extreme cases, aggressive maneuvers like tailgating, weaving, or slowing down to irritate the driver behind us. Whether we are aware or not, we are in constant communication.

Sociologists consider how our interactions produce meaning during social encounters. We often come to an agreement on these meanings, as our definition of the situation is rooted in social and cultural contexts. Driving necessitates social agreements—some mandated by law, others by custom. We need to agree what side of the road to drive on, when to proceed through an intersection, and how fast to drive. We need to communicate through our cars, which come equipped with turn signals, hazard lights, and horns. Newer vehicles tell us when a car is in our blind spots, when it is unsafe to change lanes, or show us what is behind us.

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The Robots are Taking Over: Low Wage Work and the Future

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By Karen Sternheimer

When I was in high school, I watched Stanley Kubrick’s 2001: A Space Odyssey. Years later, I didn’t remember much about the movie, other than the computer Hal’s monotone voice when speaking to Dave, the astronaut, who must “kill” Hal to save himself after Hal killed the rest of the crew.

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Drinks, Anyone? Revisited

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By Karen Sternheimer

A recent Gallup Poll found that the number of American adults who report being alcohol drinkers has fallen to an all-time low in the poll’s 86-year history. Just 54 percent responded that they drink alcohol on occasion, down from recent highs of 67 percent (2022 and 2010), and the all-time high of 71 percent (1976-1978).

I wrote about alcohol consumption for the Everyday Sociology Blog’s inaugural post in 2007, and thought it would be interesting to revisit the topic and consider what changes may have taken place in the past 18 years that might help us explain the decline.

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Love Letter to the Indie Bookstore: Radical Third Spaces 

By Alyssa Lyons

I’ve always loved books. And I mean loved books. As a child, I’d often comb through the trash to recover discarded tomes. Where my neighbors saw old and water-stained trash, I saw glorious treasure. I’d sniff dog-eared yellowed pages as I skipped home with my latest additions. So it’s not surprising that as an adult, I would come to love bookstores.

Bookstores, especially independent ones, are what sociologist Ray Oldenburg  referred to as “third places.” Third places are virtual or physical spaces outside of home and work/school where people gather, organize, and find and build community. In independent bookstores, it’s not uncommon to find people sipping coffee, working, or quietly sharing space with others who have bookish affinities. Madeleine Roberts-Ganim identified third spaces as places that can “affirm our identities and build empathy for identities different from our own.”

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