Working in Hell’s Kitchen: Labor Markets and the Communities they Shape

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By Karen Sternheimer

Before there was the reality cooking show and restaurants of the same name, Hell’s Kitchen was a New York neighborhood on the westside of midtown Manhattan. Now often called Clinton or Midtown West, the more colorful name represented the once rough-and-tumble community just west of the theater district, from Eighth Avenue to the Hudson River, and approximately West 34th to West 59th Streets.

The origins of the name aren’t entirely clear, but it likely reflected the gang violence that once dominated the area, filled with crowded, dangerous tenement buildings. “Hell’s Kitchen” evokes a sense of discomfort, to say the least. Like many cities in the nineteenth century, new immigrants often found work in local slaughterhouses and on nearby docks, as well as breweries that once operated in the neighborhood. The work was difficult and dangerous, and often controlled by the mob. With jobs in the area for working-class people, the community was likely one that new immigrants flocked to and more affluent families stayed away from.

In the twentieth century, public housing projects concentrated poverty in this neighborhood. And with the eventual decline of shipping into Manhattan and relocation of the slaughterhouses that once provided jobs, the area declined further.

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Grappling with AI through Film 

author photo Rob Eschmann

By Rob Eschmann

Christopher Nolan’s The Odyssey  features an unexpected twist in perspective, reframing the legendary Trojan Horse as a war crime that contributed to the fall of Greek civilization. This creative decision makes the 2,700-year-old epic more relevant than it has ever been, speaking directly to some of the most pressing issues of our time.

The film highlights the deep connection between Greek culture and “Zeus’ law,” which demands that people show hospitality towards strangers, any of whom could be gods in disguise. When the hero Odysseus, played by the always impressive Matt Damon, invented the Trojan Horse, he made a mockery of Zeus’ law by using a gift offered under a banner of peace, a gift offered to the goddess Athena, to burn Troy to the ground and enable the massacre of countless civilians.

Throughout the film, Greeks are fearful of attacks from the mysterious “people from the sea,” thought to be outsiders and barbarians that threaten to destroy Greece. Later we learn that the people of the sea are just Greeks who have shunned “Zeus’ law.”

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Losing My Sisters and Finding Myself in the Collective Trauma of September 11th

author Stacy Torres

By Stacy Torres

Every year September 11th fills me with peculiar grief. I lost my younger sisters that day. They lived, but after fleeing destruction, they never really returned. And that day never really ended.

I’ve spent twenty-five years trying to understand the unraveling of our relationship.

Let me explain.

Six days before the attacks, the twins began tenth grade at the High School for Public Leadership, one of two closest schools to the World Trade Center. I had high hopes for their new school, transferring them there for its educational, career, and internship opportunities and partnership with Syracuse University. Since my mother’s death five years before, when I was sixteen and the twins were ten-years-old, I’d inherited outsized responsibilities for running the household and taking care of my three younger sisters, including making major decisions about their education.

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Collective Memory, Public Health, and FDR

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By Karen Sternheimer

“Excuse me, do you know who that is?” asked a woman with an Eastern European accent. I was taken aback, because she was pointing to a bust of President Franklin Delano Roosevelt (FDR). We were standing on Roosevelt Island, just east of Manhattan, named for our 32nd president.

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Urban Spaces Paradox: Embracing Change and Preserving the Past

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By Karen Sternheimer

I love exploring Los Angeles. Even though I have lived here for more than 30 years, there’s always someplace new to see. As a temporary local, living across town from my former home, I recently had the chance to explore Angelino Heights for the first time.

Angelino Heights is a small community just north of downtown, famous for well-preserved Victorian homes. It’s approximately 4 miles from where I am living now, and one summer morning I decided to check it out on foot. My morning run to the community made me think about the paradox of urban spaces. One the one hand, gentrification means people like me feel comfortable traversing them on my own, while some long-time residents can no longer afford to live there. And communities with status like Angelino Heights fight change to maintain their historical value, limiting who can live within them. Housing is complicated indeed.

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Resistance and “Brain Rot”

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author photo Chau Anh

By Marci Cottingham and Chau Anh

Chau Anh Nguyen is from Hanoi, Vietnam and currently a senior at Kenyon College majoring in English and sociology

If we take words of the year as indicators of the current zeitgeist, then what can sociologists make of brain rot, Oxford’s 2024 word of the year? It is defined as “the supposed deterioration of a person’s mental or intellectual state, especially viewed as the result of overconsumption of material (now particularly online content) considered to be trivial or unchallenging.”

Low-quality internet content is presumed to have a negative impact on one’s intellect. The rot-inducing qualities include nonsensicalness, short-form, lack of context, absurdity, and so on. It comes in multiple forms, including shorthand slang (e.g. skibidi toilet, rizz/rizzler, goon, edge, beta sigma alpha, sus, among us, ohio), rapid reels and TikTok, and absurd AI-generated videos.

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The Sociological Importance of Mel Brooks

By Karen Sternheimer

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When I was a child, I really wanted to see Mel Brooks’ The History of the World, Part I. The ads on TV looked funny, and other kids I knew allegedly had seen the movie and talked about how good it was, re-enacting some of the funnier bits.

Alas, it was rated R, and I would have to wait until I was an adult to watch it and every other Mel Brooks movie. His movies blended silliness that appealed to children and sexual humor that appealed to adults, but they were off-limits for kids like me. The political satire that gets slipped into this comedic mix is a great example of the sociological importance of his work.

A recent plane ride gave me the time—nearly 4 hours— to watch Judd Apatow’s documentary Mel Brooks: The 99-Year-Old Man, complete with interviews and a multitude of clips from his comedy career that dates back to 1950. It’s clear from the body of his work that he sees himself not just as comedic writer, director, actor, and producer, but a social critic. He talked about the role of the court jester to make fun of those in power in an old interview. His movies tackle diverse themes like oppression, economic inequality, racism, and even homelessness (Life Stinks, one of his later movies from 1991).

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The Paper: Journalism and the Future

By Karen Sternheimer

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Back in 2008, I wrote a post called “A Modest Proposal to Save Journalism.” Almost two decades later, it has never been more critical to have an independent “fourth estate” but it probably won’t return in its previous form, due to political and economic pressures.

Case in point: the “Thursday night massacre” on June 4, 2026, at CBS’s 60 Minutes, where the executive producer and several correspondents were fired despite solid ratings. This was a sad moment in the storied program’s more than 50-year history. (See Scott Pelley’s powerful interview about being fired after 37 years with CBS News.) When the premier news program within what was once known as the “Tiffany network” was dismantled, it sent a message to all journalists that hard-hitting journalism could be censored if it offends those in power.

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In Praise of Pedro-Mania: How Pedro Pascal Helped Me Rediscover My Superpowers and My Dad

By Stacy Torres

author Stacy Torres

During the past year-plus of wars, U.S. National Guard deployments, ICE detentions and killings, strikes on Venezuela—I’m just waiting for frogs to rain down—I’ve found my blissful reprieve in Pedro-mania. I’m talking about the meteoric rise of actor Pedro Pascal, whom I’ve finally discovered and who’s helping me tap into my own hidden superpowers for survival.

And while his new Star Wars movie has racked up lukewarm reviews and disappointing box office sales so far, Pascal’s always-charming media blitz has served as the perfect antidote to our current onslaught of bad news—and just in time before all the good talk show hosts are fired for making us laugh.

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When Science Fiction Becomes Real: Walter Mosley’s Futureland and The AI Doc

author photo Rob Eschmann

By Rob Eschmann

The news cycle in 2026 feels straight out of a dystopian science fiction film.

New AI models are so good at hacking companies hesitate to release them to the public, and the construction of new data centers force people off their land, pollute the environment, and take up natural resources as citizen water sources run dry.

We are witnessing the rapid expansion of an AI-enabled surveillance state, and even have less tech-forward trends that reek of Orwell’s 1984, like widespread book banning and masked men arresting people and sending them to overseas prisons without due process.

Given these disturbing trends, how do we ensure we don’t end up living in a post-apocalyptic film?

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