Grappling with AI through Film 

author photo Rob Eschmann

By Rob Eschmann

Christopher Nolan’s The Odyssey  features an unexpected twist in perspective, reframing the legendary Trojan Horse as a war crime that contributed to the fall of Greek civilization. This creative decision makes the 2,700-year-old epic more relevant than it has ever been, speaking directly to some of the most pressing issues of our time.

The film highlights the deep connection between Greek culture and “Zeus’ law,” which demands that people show hospitality towards strangers, any of whom could be gods in disguise. When the hero Odysseus, played by the always impressive Matt Damon, invented the Trojan Horse, he made a mockery of Zeus’ law by using a gift offered under a banner of peace, a gift offered to the goddess Athena, to burn Troy to the ground and enable the massacre of countless civilians.

Throughout the film, Greeks are fearful of attacks from the mysterious “people from the sea,” thought to be outsiders and barbarians that threaten to destroy Greece. Later we learn that the people of the sea are just Greeks who have shunned “Zeus’ law.”

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Losing My Sisters and Finding Myself in the Collective Trauma of September 11th

author Stacy Torres

By Stacy Torres

Every year September 11th fills me with peculiar grief. I lost my younger sisters that day. They lived, but after fleeing destruction, they never really returned. And that day never really ended.

I’ve spent twenty-five years trying to understand the unraveling of our relationship.

Let me explain.

Six days before the attacks, the twins began tenth grade at the High School for Public Leadership, one of two closest schools to the World Trade Center. I had high hopes for their new school, transferring them there for its educational, career, and internship opportunities and partnership with Syracuse University. Since my mother’s death five years before, when I was sixteen and the twins were ten-years-old, I’d inherited outsized responsibilities for running the household and taking care of my three younger sisters, including making major decisions about their education.

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Global Culture, Immigration, and the World Cup

author Stacy Torres

By Stacy Torres

My father was from Chile. Five years after his death, I’ve adapted to the past tense when referring to him, but it’s still not automatic. Was. Every time that three-letter verb of no longer being catches in my throat, I notice the slight delay even if my conversation partners don’t.

I remember nothing about World Cup 2022, the year after he died, which remains a blur of loss. One year is nothing when it comes to grief, as Saul Bellow so eloquently puts it: “Losing a parent is something like driving through a plate-glass window. You didn’t know it was there until it shattered, and then for years to come you’re picking up the pieces—down to the last glassy splinter.”

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The Paper: Journalism and the Future

By Karen Sternheimer

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Back in 2008, I wrote a post called “A Modest Proposal to Save Journalism.” Almost two decades later, it has never been more critical to have an independent “fourth estate” but it probably won’t return in its previous form, due to political and economic pressures.

Case in point: the “Thursday night massacre” on June 4, 2026, at CBS’s 60 Minutes, where the executive producer and several correspondents were fired despite solid ratings. This was a sad moment in the storied program’s more than 50-year history. (See Scott Pelley’s powerful interview about being fired after 37 years with CBS News.) When the premier news program within what was once known as the “Tiffany network” was dismantled, it sent a message to all journalists that hard-hitting journalism could be censored if it offends those in power.

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The Sociology of Science Fiction: Project Hail Mary, Star Trek, and the Broken Earth Trilogy

By Rob Eschmann

author photo Rob Eschmann

Author Andy Weir, best known for his books The Martian and Project Hail Mary, both of which were turned into successful science fiction films starring Matt Damon and Ryan Gosling, has recently been enmeshed in controversy surrounding his anti-woke comments and insistence that politics has no place in fiction.

Though they’re just coming to light, due to the recent release of the blockbuster Project Hail Mary film, he’s held these views for some time. In a 2017 interview, Weir said:

When I’m reading a book, I just want to be entertained, not preached at by the author… I deeply dislike social commentary. For instance, as a lifelong Star Trek fan, it’s always bothered me that there is a presumed “responsibility” within Star Trek shows to talk about social issues. I just want to watch Romulans and the Federation shoot at each other.

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When Science Fiction Becomes Real: Walter Mosley’s Futureland and The AI Doc

author photo Rob Eschmann

By Rob Eschmann

The news cycle in 2026 feels straight out of a dystopian science fiction film.

New AI models are so good at hacking companies hesitate to release them to the public, and the construction of new data centers force people off their land, pollute the environment, and take up natural resources as citizen water sources run dry.

We are witnessing the rapid expansion of an AI-enabled surveillance state, and even have less tech-forward trends that reek of Orwell’s 1984, like widespread book banning and masked men arresting people and sending them to overseas prisons without due process.

Given these disturbing trends, how do we ensure we don’t end up living in a post-apocalyptic film?

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When AI isn’t so I: Health Data Reliability and Validity

By Karen Sternheimer

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As a social scientist, I like data. If you can quantify something, I’m interested. Data is the foundation of sociology: we are not making casual observations and calling it science; we empirically gather data and look for patterns.

You might have learned about the concepts of validity and reliability in a research methods class. Validity requires that something actually measures what we say it measures. For instance, it’s clear that stepping on a scale is not a valid measure intelligence. Reliability requires that our measure is consistent. Using the scale analogy, it should give us the same result if we step on it a few minutes later. If not, the scale is off.

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No Such Thing as “Apolitical” Art: Project Hail Mary and the Voting Rights Act

By Rob Eschmann

author photo Rob Eschmann

Spoiler alert:  This post includes plot details about Project Hail Mary

Project Hail Mary, the 2026 science fiction film which garnered a 94% critics rating on Rotten Tomatoes and has made over $670 million in the two months since being released, is one of the most well-received blockbusters in recent years. Ryan Gosling’s quirky performance as high school science teacher- turned astronaut Ryland Grace balances hilarity with moments of deep reflection on the fragile human condition. Grace’s space friend “Rocky,” a spider-like alien, is as charming as the beloved droids and tiny aliens in the Star Wars franchise. The film is stunning, with directors Phil Lord and Christopher Miller using practical effects to create mind-blowing visuals and otherworldly scenes of alien planets, calling to mind shots from Christopher Nolan’s 2014 classic film Interstellar.

In the midst of its success and near-universal acclaim, Project Hail Mary is being championed by anti-woke, anti-DEI fans and critics.

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Social Comparison: It’s Not Just on Instagram

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By Karen Sternheimer

There is no shortage of hand-wringing about social media sites like Instagram enabling people to compare themselves with others, presumably leading to outcomes like depression and other mental health challenges.

But social media did not start social comparison—it is woven into the fabric of many of our social institutions. As it is relatively new, social media gets the lion’s share of attention, focusing on how it operates and its constant accessibility. The algorithms, the devices, the newness drives attention and criticism.

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A Year of Living Minimally

By Karen Sternheimer

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It has been a year since losing my home in the Los Angeles firestorm of 2025. While others are reflecting on the anniversary with concerts, community events, and hand-wringing over the rebuilding process, I have been reflecting on my 12 months as a minimalist. It has been an enlightening, and yes, in an odd way a positive experience.

Of course, I wouldn’t have chosen this experience. Finding myself without most of the material possessions I had accumulated for decades was quite a jolt. The first few weeks left me shell shocked.  I was figuring out what I really needed for day-to-day living, while at the same time as managing insurance claims and other adventures with bureaucracy.

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